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Filtering by Tag: handstand

Transitions: kicking up into handstand

Olivia Marley

There’s more than one way to get into a handstand. This post covers the way most people try first: kicking up, and shows some of the errors I see students make most often. We made this our class focus recently: rather than getting into a handstand and trying to hold it for as long as possible, focusing instead on how to improve the transition into the pose.

In the first clip you can see that both of my legs are bent. The plus points for this method is that it gets your feet off the floor, and you can see I start the motion with my top leg low (which allows me to get a bit of momentum going). But it feels a bit out of control, so doesn’t give a steady foundation to build upon to try and get a little closer to the pose.

For me, kicking up works best when I keep my top leg straight (so it swings up like a pendulum) and only bend my bottom leg (so the bottom leg acts like a spring). Compare how this first video looks - in particular what my top leg looks like, and how fast/ slow I’m moving - to the last video in this post.

In the next clip I've corrected my mistake of bending my top knee, but am now showing two more errors. One is that I get my top leg as high as I can, then try and kick up from there. If your top leg is already as high as possible you don’t give yourself any room to swing it.

Towards the end of this clip I’m also starting with my bottom foot flat on the floor. If you consider that your bottom leg is meant to act like a spring here to help you kick up, having the sole of your standing foot flat on the floor means that you’re taking out the springing potential that you could be creating from your ankle (and only really springing from your knee).

Compare how this looks - in particular how much my top leg moves, and how I use my bottom foot - to the last video in this post.

In this last video I’m still not trying to get all the way into a handstand, I’m just practising my kick up transition. I’ve corrected the errors from the last two videos. The things I’m focusing on here are:

  • Keeping my arms completely straight and actively pushing the floor away from me

  • Gripping with my fingertips

  • Coming on to the tiptoes of my standing foot, and bending my bottom knee and ankle a lot at the start of their springing action

  • Not swinging my bottom leg away from my hands as I spring, and instead thinking of springing straight up towards the ceiling

  • Keeping my top leg straight and bringing it low at the bottom of the spring so I can swing it higher at the top of the spring

  • Keeping my front side core muscles a little switched on (like I’m trying to cinch in my lower ribs and belly a bit

  • Moving slowly and not flailing my legs around!

Have you been trying to kick up as shown in either of the first two videos here? If so, how does it feel to try it like I am in the third video? Comment below or send us a message with any questions!

shoulder mobility and the shape of your handstand

Olivia Marley

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We’ve been practising our handstands in class over the past couple of weeks and a few different students have asked me a similar question: "why can’t I get my body in a straight line?".

Sometimes people that make a slightly curved shape in their lower back in handstand (like that you see me making here) are told it's because they need to engage their core more. It's true that if I switched on my abdominal muscles more here it'd move my legs towards the left hand side of this photo. But then I'd probably lose my balance, because my whole body from chest to feet would be tilting to the left. For me (and for many of my students) this body shape in handstand is caused by limited range of motion in the shoulders.

You can see that my chest doesn't go straight up above my arms here - it tilts a little to the left of the photo. That's because my shoulders don't have quite enough range of motion to let me reach my arms straight over my head without also curving a bit in my lower back. They reach almost all the way, run out of mobility in the shoulders and then the last little bit of reach has to come from movement in the rest of my spine. For a lot of people it's actually that curve in the lower back that creates a banana-shaped handstand 🍌 So of course your core muscles are important. They help to make your upper and lower body move as one congruent unit. But shoulder mobility plays a role for lots of people too 🙌🏼

L-pose or handstand prep

Olivia Marley

This blog post is in response to a student who wanted to practice this posture at home. If you're going to give it a go too remember to back off if anything hurts, and if you're at all unsure maybe have someone nearby to spot you the first time you try it! L-Pose is a great way to build your upper strength in preparation for handstand, without having to worry too much about your balance. And if you want to know when we run our next handstand workshop to help you build your confidence and proficiency in this challenging posture send us a message and let us know!

So if you're ready, start on your hands and knees with the soles of your feet flat against a wall....

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Photo 1: Check that your knees are directly under your hips, and your hands are under your shoulders. You can see that my hands are mistakenly a little too far forward here - it’s much easier if you have a mirror or someone to spot you! Rather than letting your chest sink passively down to the floor, actively push the floor away from you. Activate your core muscles by drawing your lower ribs in towards your spine.

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Photo 2: keep your hands and feet where they are and come into a slightly odd, too short downward dog at the wall. If you have tighter hamstrings you may have to bend your knees quite a bit.

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Photo 3: place one foot on the wall at about hip height. If it's too low, your foot will just slide down the wall. And if it's too high you'll end up in a diagonal line rather than the ninety degree angle we're looking for here.

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Photo 4: actively push your top foot into the wall. In the photo it looks like I'm walking my feet up the wall. But if you look closely, you can see my bottom foot is in mid air. As you push with your top foot, it will send your hips away from the wall and more over your wrists, which will make your bottom foot lift. 

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Photo 5: place your bottom foot next to your top foot. If you know you're a little tighter in your hamstrings it's completely fine to keep your knees bent a little. Push the wall away with your feet, and the floor away with your hands. You can see that having my hands slightly too far forward when I started has meant they aren't underneath my hips here. If you haven't got a friend nearby to spot you maybe try filming yourself on your phone to check how your upside down 'L' looks!

It's super common for people to take their feet too high and their hands too far forward when they first attempt this posture. That way they end up in a diagonal line (which is fine sometimes, but not what we're after here!). It happens because when you first straighten your legs and send your hips over your hands, if you're not used to being in that position it feels like your hips are going way too far. So moving your hands and feet feels much safer! If that step (shown in photo 4) does freak you out at first, know that it's perfectly valid to just practice that until you feel comfortable. There's never any pressure to come into the full posture until you're ready. And just ask if you have any questions!